Lucia micarelli and josh groban dating

After moving to Hawaii at age 5, she debuted as a soloist with the Honolulu Symphony Orchestra a year later.

In 1994 she left Hawaii and returned to New York to attend the prestigious Juilliard School of Music, where she studied violin for seven years.

How can so few people notice the silencing of the voice of a great genius?

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She played other places, too, with the Transiberian Orchestra, with Chris Botti, on her own CDs -- a long string of utterly amazing performances. She is playing the part of a violinist on Treme -- sometimes she actually gets to play the violin on the show -- not so often, but enough that you can hear that the voice is still there; but the character does a lot of other things as well, and is also sometimes not featured in some of the episodes.Just being on the instrument I think helps me in my life. I was touring a ton, and my base had been in New York and I gave up my apartment ’cause I wasn’t using it and I was just kind of freewheeling it being on the road all the time. There were a lot of people trying out creative, slightly off-the-beaten-path things. is the musicians are just so talented, and also have so much experience. In that world of there not being stability, and often working alone and being a free agent, it feels so good to have a community and have people you can turn to and call for help and for advice, to be able to meet other artists in that community, whether musicians or actors, or whatever.Being able to play music with your friends or with your family, that’s such a beautiful thing. That really encouraged me to stay, and I just kept staying a little bit, staying a little bit, then I started dating my husband, and then I married my husband [Local 47 member violinist Neel Hammond], so now I’m all L. Speaking of our musical community, there’s a lot of talk about how music-scoring work is going overseas or moving out of L. What do you think can be done to keep our music community thriving here? We need that kind of structure and support and community.It can give you so much in any capacity, whether it’s a professional capacity or it’s just you’re playing with your friends or playing for yourself. We have a campaign going on right now called “Keeping the Score in California.” That’s exciting. I know that does a lot for bringing work into cities, just from the acting I’ve done and then all the friends I have in the acting world, that that’s a big deal.And you can have it with you throughout your whole life. One of the things I noticed when I first moved to L. was, musically, I sensed this feeling of more open-mindedness in terms of trying to do something a little out of the box. Having belonged to two unions (AFM and SAG-AFTRA), what does it mean to you to be a union member? I do think that in these creative fields you can feel really isolated, like you’re just sort of grinding away, and you’re all alone.

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